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The Subway, Zion National Park

Posted by
Don Smith (California, United States) on 3 April 2011 in Landscape & Rural.

UPCOMING 2011/2012 WORKSHOPS:

Spring Big Sur Workshop - 4th Annual Wildflowers and Color - April 17-20, 2011 (Workshop Sold Out)
Springtime in Lake Tahoe and the Mokelumne Wilderness Photo Workshop - May 14-17, 2011 (space available)
Northern California - 3rd Annual Redwoods and Mendocino Photo Workshop - May 23-26, 2011 (space available)
Second Annual Garden Isle and Tropical Paradise - Kauai Photo Workshop - July 8-12, 2011 (only 4 spots remaining)
Summer Big Sur - 3rd Annual Mystical Fog and Colorful Headlands Photo Workshop - August 23-26, 2011 (space available)
Full Moon Over Red Rock, Arches, and Canyons - 3rd Annual Arches/Canyonlands Photo Workshop - October 9-13, 2011 (only 1 spot left).
Bryce Canyon Hoodoos and Zion Fall Color - 1st Annual Bryce/Zion Photo Workshop - November 1-5, 2011 (2 spots remaining).
3rd Annual Magic Light, Moonlight, and Pfeiffer Beach Arch Big Sur Winter Workshop - January 8-11, 2012 (space available)
4th Annual Northern Arizona Workshop: Grand Canyon, Antelope Canyon, Horseshoe Bend and Sedona - April 23-27, 2012 (just added)
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I've just returned from a scouting trip in southwestern Utah's Zion and Bryce Canyon National Parks for my upcoming Fall Workshop, November 1-5. A good friend of mine, Dr. Pierre Steenberg, joined me on the trip and is an excellent landscape photographer as well as a fun travel companion. We had both visited Zion in 2008 and discussed how we would one day like to hike and photograph the famed Subway. I mentioned to Pierre before leaving that if things worked out with my scouting (I already had much of the workshop planned), that I may be able to put a day aside for the hike.

Upon arriving, we jettisoned to the Visitor's Center to inquire about permits. We were told that indeed we could come back the next day and chances were good at this time of year to secure two. We were also warned that there had been a flash flood three weeks prior and there would be much debris to navigate through the canyon along with unusually high water levels of the left fork of North Creek. We even had a local photographer warn us that we may not be able to reach the Subway because the water would be flowing dangerously high. He also went on to note that if we could reach it safely, we would have some unusual images as most photographers don't attempt it when the water is this high.

We thought long and hard about the potential of a difficult hike resulting in no images but decided to risk it and treat it as an adventure; if we got shut out, so be it. With permits secured, we took off the next morning for the 10-mile round trip through the rough canyon. The only option for us was to go bottom up, as top down required some repelling and canyoneering skills neither of us possessed.

After a mile of navigating steep terrain (the canyon hike is rated 3BIII - essentially an all day hike through a canyon and water), we reached North Creek and began our assent to the Subway. We soon discovered that the recent flash flood had upended countless trees and bushes as well as some boulders. On top of that, we encountered four sections of the canyon where major rock and hillsides had collapsed causing even more careful detouring. We repeatedly hit dead ends on what was left of the trail and had to criss-cross the creek at least 10 times each direction, sometimes hiking backwards to find a safe place to cross. Fortunately, we had rented dry suits, neoprene socks and creek boots before departing from a local mountaineering shop.

After 3 1/2 hours of rugged hiking (I remember one semi-flat stretch of about 60 yards the entire way) we reached the Cascades, a beautiful set of gentle cascading falls over red slick rock. Pierre had found the slot where the constant rushing of water has cut a deep slit in the slick rock, but I was unable to photograph it because the surrounding water level was too high. I began to walk up through the water and eventually lost my footing when I stepped on a patch of moss and off I went. My top and sweatshirt (which was tied around my waist) was soaked in the icy snow melt. More mad than injured, we pressed on and eventually discovered our prize!

The Subway has been photographed by many photographers and is what I would term a trophy shot. Yet with the water level of the creek so high we felt that our images could indeed be a bit different from the multitudes we had viewed. In fact, the water was so high, we were still not convinced we could safely make it around the bend. It took a bit of maneuvering, but as you can see, we did it! The next trick would be in getting our cameras and lenses together as there was no safe place to lay out bags; instead, we took turns holding each others bags until we were both set, then put our packs back on. Fortunately Pierre lent me his jacket as a cool breeze was causing me to shiver with my drenched shirt.

I really owe the success of this image to Pierre as he stepped onto this narrow ledge bordered by two deep pools of icy water and called for me to check it out. I was somewhat hesitant as I weigh 70 pounds more than him and I wasn't completely sure how undercut the ledge was. If it was to give way, I would have been in the deepest of the pools you see in this image.

Fortunately, my 16-35mmL lens set at 16mm was enough to allow the line of the slick rock to complete and a shutter speed of roughly three seconds allowed the motion of the water to move the eye down and through the subway. To get this image framed properly required me to place one leg into the pool behind me and my foot instantly sank as if stepping into quick sand. I feared loosing my boot but was fortunate to slowly work my leg/foot out of the pool after completing the shot.

We spent an hour (that seemed to fly by like minutes) before we had to wrap as we needed four hours to get back to the car before darkness set in. We discussed if our images were simply more trophy shots of a familiar scene, but fortunately a search of Getty, Corbis, and Alamy showed nothing similar to our images. Lots of fall images and lower water levels, but ours appeared to be unique. I'm sure someone out there has something similar, but I would be hard-pressed to think of working this scene safely in any higher of water conditions.

The hike out was rougher than we had anticipated but we did indeed reach the car 30 minutes prior to sunset thoroughly exhausted. Was all my effort worth it? I'll let you the viewer be the judge. For me, I'm still soaking my soar muscles!

Canon EOS-1Ds Mark III 16/5 second F/16.0 ISO 100 16 mm

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