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Dawn at Shipwreck Beach, KauaiPosted by Don Smith (California, United States) on 10 September 2009 in Landscape & Rural. UPCOMING 2009 / 2010 WORKSHOPS: Arches/Canyonlands Photo Workshop November 4-8, 2009 (Sold Out - Waiting List Only) Water movement can often times transform an image from ordinary to extraordinary. I am finishing the edit of my late-July scouting trip to Kauai, Hawaii and came across this image which I captured on my last day on the island at Shipwreck Beach. What first caught my eye about this setting was a calm pool of water amongst this bed of lava. I had checked the tidal charts and knew the tide was receding, and my hope was to capture the reflection from the clouds once the warm dawn light arrived. I actually accomplished my goal in the first sequence of images as I used a Singh-Ray 5-stop soft edge split neutral density filter to give me a proper blend of exposure between the bright sky and the dark lava. Then I hit on the idea of having some movement in the water and turned around to grab my Singh-Ray 8-stop variable neutral density filter just as a large waved crashed across the lava. It hit with such intensity that it knocked my tripod/camera over; needless to say, I thought my Canon 1DsMKIII was toast! I quickly grabbed a cloth out of my backpack and wiped the camera and my 16-35mmL 2.8 lens down and began a cursory check for damage (all while the light was nearing its peak)! Other than a small nick near the bottom of the camera, cosmetically, everything looked fine - internally - who would know? My rule when in the field is: when the light is happening - shoot - and ask questions later. So I recomposed my image with a low perspective. Next I turned my polarizer about 3/4 (a full turn rendered the righthand side of the frame unnaturally dark), then I held my variable neutral density filter set for -4 along with my 5-stop split grad (think contortionist) and made a couple of test frames with the RGB histograms visible on the back of the LCD. When shooting back towards the sun I carefully monitor the red histogram channel as it can easily clip chroma. This information would typically not show if I was using the luminance histogram. Two test frames later I was ready to go. Fortunately the swell action which had knocked my camera over was still active and the next swell, which poured water into the pool, resulted in this image. My resulting shutter speed was 6 seconds. I was able to get two more attempts but the swells began to subside. Soon the water in the pool calmed and the reflection once again reappeared but at that point the warm light had started to fade. The good news is my camera and lens have seemingly survived the crash (part of the steep price tag for a pro-style body) and are working fine. If I would have taken the time to check while the light was peaking, I would have missed this image. One other plus about shooting sunrises in Hawaii in mid-summer is that the ambient temperature is a pleasant 76 degrees (24 degrees Celsius) while the water temperature is about the same! I would have been bundled-up if shooting along the central California coast at that hour. If you would like to join me and assistant instructor Gary Hart for a workshop next July on this beautiful island, please click here Kauai Workshop for more information. My Website: "how to" articles, galleries, stock photos, and more... Software Discounts:
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Canon EOS-1Ds Mark III |